A disaster befalls the crew of a space shuttle and the International Space Station (ISS). Two astronauts, Dr Ryan Stone (Sandra Bullock) and Matt Kowalsky (George Clooney) are on a spacewalk when an explosion sends the shuttle into a spin that rends the station apart, leaving it to fall out of orbit and burn up on re-entry to the Earth’s atmosphere. After what poet Wilfred Owen would call “an ecstasy of fumbling” to try and grab hold of something, Stone is catapulted into the solar system. Alone.
It’s all quite timely, what with the public profile of the ISS at an all-time high thanks to the spectacularly popular tweets of former station commander Chris Hadfield. Before leaving the station, Hadfield signed off by broadcasting to Earth an adapted cover version of “Space Oddity” – a song originally about a man launched into orbit before a malfunction sends him careering off into deep space – his resigned, final communication with mission control is the last that is heard of him.
It will be interesting to see what scale Cuarón chooses to fill this film. I hope he challenges himself to focus on Stone’s feelings of increasing isolation rather than use her as a cut-away from any frantic Earth-bound rescue efforts. It would be nice if this was a minimal space capsule of pure film-making.
Scotty (Simon Pegg, in red shirt) and Captain Kirk (Chris Pine, far right) in a scene from Start Trek: Into The Darkness that was shot at the National Ignition Facility, California
I was sitting in the cinema watching JJ Abrams’ Star Trek: Into The Darkness, when I felt a flash of recognition as Captain Kirk and Scotty walked around the engineering decks to stand before the warp core of the USS Enterprise.
The spherical chamber buried in a mass of gleaming ducting and pipework is actually the target chamber for the National Ignition Facility (NIF) in Livermore, California. Filming took place during a scheduled maintenance period in 2012.
The laboratory houses “the world’s largest and highest energy laser system”, delivering 2m joules of ultraviolet laser energy in pulses of a billionth of a second. Experiments provide data about nuclear reactions for use in weapons, energy generation and analysis of the reactions taking place within stars.
The 192 lasers are amplified by passing through lens arrays in two vast warehouses, bouncing back and forth before they are diverted and focused on to a target – not dilithium crystals but a 2mm capsule filled with super-cooled hydrogen fuel. When the lasers strike the capsule it is vaporised in a reaction that creates temperatures of more than 100m degrees centigrade and pressures 100bn times that of the Earth’s atmosphere.
That’s pretty impressive, even if it doesn’t make warp speed. lasers.llnl.gov
Photography: Paramount Pictures; National Ignition Facility
Jennifer Lawrence won big at The Oscars. No, I don’t just mean her best actress Academy award for Silver Linings Playbook, but for the way she punctured pomposity with breezy sincerity on a night that would have most award-winning newbies quaking in their designer outfits and toeing the PR line like US Marines on parade.
Sure, she must have been nervous, but, steeled by a cheeky shot of booze (sharp intake of sarcastic breath – she drinks alcohol, too) her frankness when answering inane questions from the press (see video, above) had other members of the same profession high-fiving her on social media.
On the red carpet she admitted to being starving hungry having not had the chance to eat all day, a comment that by its very presence throws the whole glamour machine into stark relief – why is there such a big deal about actresses’ eating habits? Lawrence just rides on in there like she couldn’t give a damn. In a post-show interview with the press, inquiries after the “process” by which she got ready were met with the answer that she tried the dress on, it fitted and y’know, she came to the Oscars. What else is there to say?
The lady’s got gumption, and you’ve got to agree that’s a fine quality to have in this business.